Joseph was born in 1961 in Paris lives and works in the south of France Studied graphic arts school Sornas Paris Studied architecture at the E. P. D. Preparation I Paris School of Fine Arts in C. F. In Paris 11 Ecole des Beaux Arts Paris Group show at the studio of Fine Arts show at the studio of Fine Arts Exhibition Place Vendome Cartier personal seat Grange Bateliere Gallery Paris Gallery Paris Voltaire's work based on the various compression techniques paper refers to the work of lifting and gluing initiated by Raymond Hains.
All other access by borrowing, using the compression technique selected material rather than the use of areas already built, as practiced by Hains, Villeglé Dufresne or Rotella, looking for vibration components in the various assemblies of textures color and raises the question of the substantial contribution of pigments as the only form of expression. However, unlike the arte poveri, the choice of paper used throughout textures and chrome, is totally deliberate as he must follow and comply with the basic idea of a creation, not by itself create the identity of the final work. Thus, the different media giving the material at each establishment, daily from 1930 to the fiction of the sixties and seventies, with each category brings its identity through typography, the chromium but also the qualities and weights of paper.
The work, and double reading, also based on the line used by the original author. The inking and style of each illustrator prohibit or contribute to the intervention of paper in each creation. The weather and our society are the drivers and still the thread of the work, whatever the topic, but more as a reflection of that criticism, as a witness rather than a judge. Over the years, amalgams are thicker, unlike the early work more flat and linear, of grubbing relatives. The thickness symbolizes the underlying complexity of each situation we would just go smooth through the daily paper which is used as to do justice to the reality in all its complexity. Through the layering of revealing the layers below, the double reading is possible by taking the time to look beyond the reality legible.
